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All you need to know about SOLANDGE, the yacht from ‘Succession’

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Written by Rachael Steele

Superyachts on film are not uncommon: The Bond series is famous for its fast cars and sleek luxury yachts, while recent Netflix film Murder Mystery was filmed aboard 60m/198ft motor yacht SARASTAR , but M/Y SOLANDGE has brought new heights of glamour to the small screen as the notable backdrop in Season Two of hit TV series Succession .

SOLANDGE top deck – star of the HBO TV series Succession

The comedy-drama centres around the Roy family as patriarchal figure Logan Roy, who owns and controls a worldwide media conglomerate, declines in health and his children are sized up for taking his place as head of the empire.

Mega yacht SOLANDGE

SOLANDGE is a yacht worthy of a media mogul, boasting an enormous amount of onboard amenities, a supply of water toys just as large and exquisite living areas from the beach-club to the bedrooms. She was refitted in 2019 to have her looking better than ever, and she’s available for charter throughout the year.

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Construction.

Luxury yacht SOLANDGE measures 85.1m/279.2ft and was launched from the Lurssen shipyard in Germany in 2013 before going on to win the Exterior Design category at the Monaco Yacht Show Awards 2014 , as well as making it to the finals at three other awards shows that same year. Her exterior styling is the work of renowned designer Espen Oeino , while the interiors from Rodriguez Interiors transport guests to a more elegant age using classical styling, golden accents and detailed patterns of Eastern origin.

Impeccable service by the professional and highly trained crew is offered at all times

Built with a steel hull and aluminium superstructure, she provides an excellent balance between stability and power, reaching a top speed of 17.5 knots.

Logan Roy (Brian Cox) on the top deck of the yacht.Photograph by Graeme Hunter / HBO

Accommodation

The lavish on board accommodation provides for up to 12 guests in a choice of eight en-suite cabins: 1 Master suite, 1 VIP stateroom, 3 double cabins, 2 double cabins convertible to twins and 1 twin cabin.

Master suite offering the utmost in luxury and unprecedented views

The majority of the guest accommodation is placed on the main deck, where the elevated position provides better views and more natural light into the spacious and light interiors. Each has a classical appearance using light coloured wood and inlays in mother of pearl, and a subtle Middle Eastern motif in the patterns.

Master stateroom with a private deck area

The guest companionway is unique in offering hot and refrigerated drinks as well as snacks so that guests can get what they desire late at night without needing to call the crew.

Owner’s bathroom – Photo by Klaus Jordan

The Owner’s suite is a part of its own dedicated deck, which includes an office and separate his-and-hers dressing rooms and bathrooms. There is a salon more casual in appearance the opulent main deck lounge, and the bedroom itself contains hand-made Italian furniture and a stunning chandelier above the central bed. Its forward position overlooks the bow through 180-degree windows, where there is a private spa pool.

One of the best spots to enjoy the views while relaxing in the Jacuzzi

There are also 15 cabins to accommodate a professional and highly skilled crew of 29, ensuring that guests are treated to a truly indulgent experience while on board, from health and beauty treatments in the spa massage room to Scuba diving deep underwater.

Season 2 finale of Succession filmed on board Mega Yacht Solandge – Photo © HBO

Day or night, guests will be tempted outside to live under the Mediterranean sky by the choice of sumptuous seating designed for cocktail evenings while dockside or roaring parties away from the city lights. The sweeping central staircase from the lower deck to the main deck aft makes a statement by itself and is a great opportunity for a photo-shoot before heading in to view the splendour within.

Close up of the aft decks

Sunbeds, a swimming pool and stern-side seating only partially fill the spaces across each deck, leaving plenty of room for dancing the night away or yoga in the fresh morning air.

The contra-flow swimming pool

M/Y SOLANDGE can accommodate hundreds of guests for dockside events, who have plenty of choice when it comes to refreshments from the wet bars. On the Owner’s deck and the sundeck, where a forward Jacuzzi lets you wallow under the stars. The Owner has a private Jacuzzi and sunpads on the foredeck that’s perfect for lazy afternoons after a big celebration or nightcaps and stargazing before bed.

Aft deck sunbathing

The exceptional decor by Rodriguez Interiors is what has given luxury yacht SOLANDGE her character and was no doubt a deciding factor in selecting her over many other options for the superyacht in Succession: Opulence is around every corner and guests ascending the main deck aft staircase will be awestruck by the extravagant main salon where golden tones in the furnishings and light fixtures are contrasted by cool blues in the surrounding wall panelling.

Ultra-luxurious interiors with amazing attention to detail and carefully selected materials and furnishings

The Owner’s salon meanwhile has a comfortable lounge setting in front of a widescreen TV, a fireplace with armchairs and a games table for entertaining small groups on cosy nights indoors.

The most impressive of all however is the Tree of Life at the centre of the stairwell, which stretches from the lower deck all the way up to the sundeck.

Central staircase – a true work of art

Special Features

Motor yacht SOLANDGE is expensive for a reason: She lavishes upon her guests almost every modern convenience conceivable. The beach club alone contains a DJ station, a dance floor hiding a spa pool beneath, and a golden bar with 14 matching stools. Across the decks there is also a massage room and hair salon, an indoor cinema, a sauna, steam room and gym plus a helipad for getting to and from the airport in style.

Amazing beach club with shower

Water Toys and Equipment

There is an extensive collection of water toys on board to suit all ages, interests and fitness levels, and with status as an Approved RYA Water Sports Centre and a Certified PADI dive centre, guests have the opportunity to earn a jet ski and Scuba diving license during their time on board. The collection contains:

• 6 x Paddleboards
• 5 x wakeboards
• 3 x Yamaha Waverunners (2 pax)
• 3 x Seabobs (F5 model)
• 3 x inflatable kayaks
• 2 x surf boards
• 1 x Jet ski
• fishing gear
• snorkelling equipment
• Scuba diving equipment, and

Beach club set up for easy access to the toys and water

There is also a well-equipped gym and the swimming pool onboard provide guests with additional options to wear off energy during a cruise.

Charter Locations

Luxury yacht SOLANDGE is available for charter throughout the Mediterranean, from the Balearic Islands of Spain to the ancient majesty of Antalya, Turkey. The summer season is when she is most in-demand and she is most coveted for events such as the Cannes Film Festival and Monaco Grand Prix. Christmas and the New Year are also popular times for charter yachts and it is advisable to book ahead to secure her for your own special occasion.

The yacht has an amazing amount of deck space and areas to unwind and relax

Charter Price

As of winter 2019, luxury yacht  SOLANDGE is available for charter from $1,000,000 USD (€1,136,000)* per week plus expenses such as food, drinks, fuel and taxes. (*the price at the time of publication, please contact CharterWorld for up to date rates and information)

Please contact CharterWorld - the luxury yacht charter specialist - for more on superyacht news item "All you need to know about SOLANDGE, the yacht from 'Succession'".

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Solandge, the yacht used in Succession, costs $1million a week to hire

In last night’s Succession Season 2 finale on HBO, the Roy family and their top Waystar-Royco aides spent time onboard Logan Roy’s luxurious Mediterranean yacht, ostensibly on a brief cruise vacation.  However, the Mediterranean cruise was actually intended to give Logan (Brian Cox) the opportunity to take time off to decide who should take the fall to save Waystar-Royco’s tarnished reputation following the company’s mismanagement scandal, and a congressional hearing on the matter.

Logan finally decided that his troubled son Kendall (Jeremy Strong) would be the “blood sacrifice” to save the company.

If you saw last night’s season finale and wondered about the luxurious yacht that provided the setting for the episode, here is everything you need to know about it.

The superyacht in tonight’s episode of Succession Sign up for our newsletter! Get updates on the latest posts and more from Monsters and Critics straight to your inbox. By submitting your information you agree to our T&Cs and Privacy Policy. Length: 85.1 meters Crew: 29 Cost: 1,000,000 euros to rent per week https://t.co/jaPEubbK6m — Dan Diamond (@ddiamond) October 14, 2019

@Succession_HBO is that M/Y Solandge? Used in S2E10? Nice. — Daniel B Nash Sr (@DanielBNashSr1) October 14, 2019

Solandge was the yacht used in the Succession Season 2 finale

The yacht used in last night’s episode of Succession was the famous 85.1-meter Lürssen motor yacht Solandge . Solandge is one of the world’s largest and most iconic luxurious motor superyachts available for charter.

The weekly summer and winter charter price for a Mediterranean cruise is listed as being from €1,000,000 ( currently about $1,102, 642 plus expenses ).

Solandge was first listed for sale in 2015 at an asking price of €179 million. It was finally sold in a deal brokered by the luxury yacht brokerage firm Moran Yacht & Ship in 2017. The deal, said to be the biggest yacht deal of the year in 2017, was reportedly worth €155,000,000.

Solandge was built by Lürssen in 2013. The luxurious granite, marble and wood interior of the yacht was jointly designed by Rodriguez Interiors and Dolker & Voges. The exterior was designed by Espen Øino ( Espen Oeino).

The yacht is able to sleep 12-16 guests in eight large staterooms. It is also able to accommodate a large gathering of overnight party guests in en-suite cabins. Facilities include a sauna, steam room, massage room, beauty salon, gym, sun deck, outdoor swimming pool, dance floor, bar, outdoor cinema, and nightclub.

The boat has a cruising speed of 15 knots and a top speed of 17 knots.

Solange won the Monaco Yacht Club’s La Belle Classe Superyachts award at the 2014 Monaco Yacht Show.

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Let’s Talk About the Yacht Clothes on “Succession”

In January, 1973, a reporter for the Los Angeles Times flew to Nice, France, to interview the director Herbert Ross about “The Last of Sheila,” a mystery picture that he was shooting on the Côte d’Azur, much of which took place on a luxurious, hundred-and-sixty-five-foot yacht called H.M.S. Malahne. The gilded ship, which was built in England in 1937 and once helped evacuate soldiers from Dunkirk, became something of a Hollywood fixture in the nineteen-sixties and seventies: it served as the floating production office for “Lawrence of Arabia” in Jordan, was a regular Mediterranean clubhouse for Elizabeth Taylor and Frank Sinatra, and popped up in “The Last of Sheila,” as the watery summer home of a sinister film producer played by James Coburn. (There was a kernel of truth buried in this fiction: at the time of filming, H.M.S. Malahne was the property of a womanizing film producer named Sam Spiegel, who was allegedly so handsy with actresses that Billy Wilder once said that he had “velvet octopus arms.”) Dark things can happen out at sea, when people feel unmoored from both the shoreline and a landlocked sense of morality. “The Last of Sheila,” written by Anthony Perkins and Stephen Sondheim—who used to host infamous mystery parties together in New York—pushes this idea to murderous excess. A group of glamorous strangers (including Raquel Welch, Ian McShane, and Dyan Cannon) set sail, people start dying, and it’s up to the viewer to discover whodunnit. In his Los Angeles Times interview, Ross acknowledged the inherent creepiness of floating stories: “If you have a group of people on a ship,” he said, “the ship becomes a metaphor for existence, you can’t help it. . . . it’s about civilization and barbarism.”

I could not stop thinking about “The Last of Sheila” while watching the Season 2 finale of “Succession,” which traps the Roy family and their closest remora on a superyacht in the Adriatic. Like H.M.S. Malahne, which would look like a dinghy beside the Roys’ “boat” (rich people never say “yacht”), their sea vessel is also the setting for a kind of murder mystery. After a series of scandals involving Waystar Royco’s cruise division (dark things happen at sea!), the company’s board demands a “blood sacrifice,” a scapegoat that they can tie up in litigation while the empire sails on, more or less unscathed. Each person who boards the ship knows that they could end up as the one overboard.

And yet they look fabulous. Relaxed. Expensive. Carefree. Cool in Top-Siders and floral maxidresses and gossamer pareos. Like Cannon in “Sheila,” who wore oversized tinted glasses and a circus of colorful caftans and straw hats, even as she was fearing for her life, the Roys, in resort wear, are engaging in high-stakes high fashion, on the high seas.

When I wrote about the fashion on “Succession” earlier this fall, I argued that the Roys are a family of “little pleasure or sparkle,” that, in spite of their money, they are tasteful to a fault, dressing protectively in uniforms of beige cashmere rather than in eccentric couture. I spoke to the show’s costume designer, Michelle Matland, who told me that this was accurate—but that she could not wait for me to see the finale, where we would get to see a different side of the Roy dress code. “I shouldn’t even be telling you this,” she said, at the time. “But they go on a yacht. We get to see them at play.”

Even with this tip-off, the Roys’ maritime peacocking came as a thrilling visual surprise. At last, here was the family in private, dressing only for each other. “Sails out, nails out, bro,” as Kendall instructed Cousin Greg . And while their fashion choices are more adventurous at sea—Tom’s pink linen Ralph Lauren jacket, Shiv’s flowy white Hobbs jumpsuit with an oversized waist sash, Willa’s floral Equipment dress, which she likely bought after seeing it on Kate Middleton—there is still a sense of gloom that seeps through the pastels. I spoke to J. Smith-Cameron, who plays Gerri, Waystar Royco’s general counsel, who did her best Sue Mengers impression in a series of Cynthia Rowley caftans. Smith-Cameron told me that she wanted to look like she was seasick with stress, even in spangles. “We see these people on this plush boat on the Adriatic with delicious food, and there’s a pool and a slide and Jet Skis,” she said. “But everyone is filled with dread. So it was actually meant to be jarring: beautiful surroundings with long faces and furtive glances, not people enjoying themselves. So all of our resort wear is meant to look nice but at the same time be amusingly counter.”

Matland echoed this sentiment. Tom, for example, is coming off his disastrous performance at the congressional hearings on Waystar Royco’s crimes and is “highly agitated,” she said. “His clothing, which was a lot of Ralph Lauren linen suits, is there to belie the fact that he is on the edge of a breakdown. He is constantly trying to look as if he is comfortable—pink linens say honeymoon, vacation, enjoyment—but it is there to cover for the fact that he is unhinged.”

Matland’s goal with the episode was to telegraph the shared anxiety that each character feels while laundering this panic through the resort-wear section of Bergdorf Goodman. Kendall (Jeremy Strong), who quietly slumps around, wears a tiny Paul Stuart trilby hat (Strong’s idea), which Matland says serves as both a security blanket and as a sign that he is feeling deeply insecure. “The hat was crumpled, if you’ll notice,” she said. “It was purposefully imperfect.”

In the final twist, when Kendall turns saboteur, he is back in his city armor: a sharp, fitted Tom Ford suit that almost shines like sharkshin. He sheds the earth tones that he has been wearing all season and dons the color black—a mournful color, but also one that marks him as an assassin, capable of patricide. He’s lost his blingy Oliver Peoples sunglasses, the typical eyewear of rich scions who have a trust fund and personal shoppers who run errands to SoHo; he is at last seeing clearly.

Sunglasses were crucial to this episode, Matland told me, when it came to winking at subtle differences between characters. Shiv, for example, wears traditional Ray-Bans, a sign that she wants to traffic in old-money rituals rather than in flashy ostentation. (“It was significant that she did not wear Gucci or Prada,” Matland said.) Tom’s sunglasses in his much memed chicken-stealing moment , right after he breaks down about his unhappy marriage, are Persol, an old-world Italian brand favored by worldly celebrities, most notably by Anthony Bourdain, who wore his pair all over the globe. His shades are as close to representing rebelliousness as one can get in the Roys’ world. Tom is past his breaking point; he’s having his Brando moment.

Logan never lets his guard down, even in the sun—his sun hat is wool, from Walker Slater, a tweedy, posh haberdasher from Scotland. Nor does Roman, who, despite being the most feckless character, may also be the most authentic, in that he almost never changes his costume. “He has a uniform he’s super-comfortable in,” Matland said. “Blue oxford button-ups. Always.”

As for Shiv, most of her boat wear, including her cream pinstripe suits, is Ralph Lauren Purple Label, a sign that she arrived on the ship most prepared for professional ruthlessness. She wants the top job, she’s dressed for it, and she’s willing to throw her husband under the bus for it, save for a rare moment of weakness in front of her father. Her one whimsical touch is an oversized straw hat with a black ribbon, from the Brooklyn brand Lola, which makes her look pampered and pastoral, like an extra from “ Anne of Green Gables .” Even with her sharp, new-ish bob and architectural wardrobe, Shiv is still a spoiled, priggish little girl who throws tantrums if she can’t get her way, and her accessories betray her true nature. (As a side note, Smith-Cameron told me that she was so taken with Shiv’s hat that she went out and bought one for herself after the episode wrapped.)

In “Succession,” no detail is out of place. Like a classic whodunnit, it is the kind of show that begs rewatching, studying, squinting at with a gimlet eye. If you run the finale back, you might wonder when exactly Cousin Greg decided to betray Logan and give Kendall the incriminating documents that he stole. Was it while shirtless and in baggy swim trunks, drinking a mediocre rosé, or was it while he was wearing a navy Lacoste polo on the Roys’ private jet? When Greg first boards the yacht, in a striped French blue sweater and tailored khaki shorts, he looks suspiciously like Tom Ripley, a sleek interloper in the world of luxury who is willing to kill to survive. Perhaps even then Greg was eager to turn traitorous. Matland, who worked on the film “The Talented Mr. Ripley,” understands more than most how to make summer attire appear instantly malevolent. She creates a world of sunny poplins and ivory linens and breathable cottons, but, in the end, we are the ones left holding our breath.

‘It Hurts, But It Plays’: How ‘Succession’ Executed a Near-Perfect Season 2

By David Fear

You always love the ones you hurt.

History will tell whether Succession is a genuinely great, canon-worthy HBO show or merely the most compelling flaming-Maybach-wreck-in-progress on TV right now. But there are a few things we can more or less agree on. Jesse Armstrong’s lifestyles-of-the-rich-and-toxic drama started slow in Season One and eventually built to a strong finish. Its second season was leagues better, finally discovering the show it wanted to be; it was less a course correction than locating the proper curve of the Roys’ collective instability and leaning in to it. And, now that Round 2 is said and done, this sophomore season may not be remembered primarily for “boar on the floor!,” the L to O.G. rap ( viva Ken.W.A! ), the art-imitates-life-imitates-headlines of the Vaulter dismantling , hyperdecanting, or even an iPad angrily tossed into the sea. It may come down to a single word, uttered with such emphasis you can practically see the italics, in the finale. It ends not with a bang but with a “ But …”.

[Spoilers. Spoilers. Spoilers. ]

Succession kicked off Season 2 with Kendall Roy making a zombified TV appearance, pushed in front of a camera and blankly mouthing soundbites his handlers have provided him, all the better to calm the stockholders. “Dad’s plan was better,” he intoned, almost able to muster a weak smile as a few more ounces of his soul leaked out. It concludes with “Ken Doll” once again staring into a lens, once again given a script to read, once again trying to assure the board that everything is going to be fine. And then, the No. 1 Boy announces that though he’s been picked to be the fall guy, everything from the cover-up of cruise-ship deaths to the corporate malfeasance — it’s all Logan’s fault. For someone who micromanages every aspect of his company, the notion that the patriarch behind it all not be aware of these crimes is ludicrous, Kendall suggests. “My father’s reign ends today,” he says. Dad’s plan, apparently, was not better this time.

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Whether you believe this whole turn of events was part of Logan’s ultimate plan or not, however, depends on just how Machiavellian and omnipotent you think this media titan is. This whole season has revolved largely around the paterfamilias engaging in his favorite pastime, i.e. gathering together his children, their significant others and various key lackeys in a location (a Hungarian hunting lodge, the Roys’ summer home, a pre-celebration toast in Scotland) and letting them tear each other apart. The sheer viciousness of the backbiting, not to mention the choice one-liners  — “You can’t make a Tomelette without breaking some Gregs”; the writing team has outdone themselves this season — have kept these Darwinian set pieces from becoming nothing but humiliate, blame, grovel, repeat. In the finale, the battle royale octagon of choice is a yacht in the middle of the Mediterranean Sea; no word on whether they’re anchored in international waters, but Logan’s Law rules regardless.

Everyone knows heads are going to roll after that disastrous hearing, in which numerous folks shat various beds. After a helicopter drops Logan off at the boat, he announces that everyone should have a great time tonight. Tomorrow, they’ll get together “and have a chat” about what happens now. (The fact that judgment regarding who’s going to take the blame for deaths on a cruise ship will be rendered on a gigantic floating playground is a nice touch.) Attempts to go private have failed. The shareholders have already suggested that Logan resigning is the only solution they 100-percent approve of. The next morning, he casually introduces the idea and gets the requisite “no way,” “we need the appearance of stability,” etc. So whose head gets put on the spike?, Logan asks. And then the screaming starts.

The round robin of finger-pointing that follows is fairly predictable. Family members suggest Gerri, Francis and Karl — longtime loyalists but not blood relations. The idea of a bundled sacrifice is floated; maybe Gerri and Tom, “with some Greg sprinkles”? Still not “a big enough skull” for the bloodthirsty board. Each of the Roys, including Connor, put themselves forward as the one to go and then methodically walk their own suggestion back, looking at Dad to make sure he notices their willingness to take the hit. Shiv suggests Tom, which proves to be the final nail in the already hammered-down coffin that is their marriage. (Side note to the couple’s ongoing matrimonial death rattle: We hope the sales of Sally Rooney novels will go through the roof. ) There’s a lot of “I fucking love you, man, but…” preambles before a new sacrificial lamb is prepped for slaughter.

Brian Cox: The 'Succession' Star on the Art of Playing Bastards

'succession' season premiere recap: a better plan.

There’s a part of you, the viewer, that just inherently knows whose head will eventually be on the chopping block — the same one we saw floating, almost disembodied, out of an Icelandic hot spring way back in the season premiere. “It hurts, but it plays,” Logan admits when Shiv mentions the family fuck-up is a prime candidate for a killing. A broken, mumbling man-shaped ruin, Kendall has spent nine episodes wallowing in guilt over accidentally killing a civilian, relapsing, wooing an actress (then thoughtlessly wrecking her career), dismissing his new girlfriend whenever Logan casts a disapproving look and generally skulking about. Season One was about him trying unsuccessfully to grab what he felt was rightfully his, by hook, crook or hostile takeover. Season Two appeared, on the surface, to be about his penance while everybody else took their shot. His siblings played the game of thrones. He opted to sit on the bench.

So when Shiv silently whispers something to Tom after meeting with her father, then pivots toward her brother, we see where this is going. Sorry, lad, says Logan. It’s got to be you. I deserve this, Kendall replies, then asks: But could I have been a good head honcho? Pops hems and haws. Then he focuses his gaze on his son: “You’re not a killer.” Kendall nods. He embraces Dad. Then, one Fredo kiss later, he leaves to fulfill his duties and his destiny. I would fall on my sword for my family. But … .

Which brings us back to Logan’s endgame, and whether, by telling Kendall that he had no killer instinct, he’s inherently gifted him with one. If you go back and view the episode again, knowing where everything is headed, you can see how Armstrong and Co. have laid the groundwork. And should you rewatch what has been a near-perfect second season of a show, which we highly recommend, what strikes you is how everything really does seem to have been leading up to that shot of Kendall staring, Big Brother-like, from a flat screen; that one loaded conjunction; and the tiny smile that curls on Logan’s lips. The past 10 episodes have been an abundance of beautiful bitchery and 1-percent-behaving-badly — not just the “boar on the floor” incident, but the Oedipal dirty talk, the Conn-head memes, every single scene in which Holly Hunter spits venom through a lockjaw grin. They’ve also reminded you that it doesn’t matter whether the Roys are avatars for the Murdochs, the Redstones or our current first family; the rich are unlike you and me, but they are the same type of bastards. Whoever wins, we all lose…including the Roys. (Older shows about the rich and powerful acted as escapism. Never mind the fancy estates and luxury excursions; Succession makes being part of the modern aristocracy look fucking miserable.)

Yet to see that smile break across Logan’s face introduces a whole level of complexity into the second season — the idea that he was not looking for a successor so much as the perfect executioner. He maneuvered Kendall, or perhaps backed him into a corner, to the point where patricide was the only path forward. For a show about legacy, it makes complete sense — and turns this second season from the sum of its gleefully ghoulish parts into one thrilling whole. The No. 1 Boy has become the No. 1 Roy. Whatever happens next, we’ve leveled up to an entirely new category of Prestige TV shitshow.

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Which yacht stars in the TV series 'Succession'?

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By Katia Damborsky   29 October 2019

The 279ft (85m)  charter yacht SOLANDGE is the yacht in HBO’s  Succession. Hitting TV screens in 2019, the season finale of season 2 gives viewers an inside glimpse into life on board the Lurssen luxury yacht in the Mediterranean .

The curtain closed on season 2 of hit HBO show Succession earlier this month, after a dramatic season finale filmed on board SOLANDGE cruising the Mediterranean .

The series gives viewers a peak inside the six-deck superyacht, which can be rented from €1,000,000 (approximately $1,136,000) per week plus expenses.

While the yacht is fictitiously owned by the Roy family in the series, Succession showcases the type of lifestyle you can expect when chartering million-dollar megayachts ; from stylish helicopter departures to zipping between islands on a luxury tender.

The finale of Succession Season 2 is filmed on board superyacht SOLANDGE

Succession is an award-winning comedy-drama which centres around the life of the uber-wealthy and highly dysfunctional Roy family.

At the helm of the family is patriarch Logan Roy, a media titan who heads up and controls an international media conglomerate. After his health takes a turn for the worst, his adult children must each face the prospect of becoming heir to the family business. 

Rife with power struggles, backstabbing betrayals and family loyalty, Succession offers a fresh take on abuse, media and wealth in contemporary America.  

Succession showcases the type of lifestyle you can expect when chartering million-dollar megayachts.

The dramatic end to season 2 of Succession premiered in October 2019, with the finale to Succession filmed on board the motor yacht SOLANDGE.

This glamorous setting gave us plenty of scandal; Logan disingenuously suggesting stepping down as CEO, Connor's iPad getting thrown overboard and of course, the shocking final moments where we see Kendall blowing the whistle on his father.

How much does it cost to rent the yacht in Succession?

The cost of renting luxury yacht SOLANDGE is upwards of 1 million euros (or 1.136 million dollars) per week plus expenses during both the winter and summer. This price does not include the cost of food, drink, fuel dockage, VAT and tips.

SOLANDGE features in our article, the world’s most expensive charter yachts which cost over $1 million to rent per week .

What does the yacht from Succession look like inside?

With her Lurssen pedigree, innovative design and stunning selection of amenities,  SOLANDGE is recognised as one of the world’s most iconic superyachts.

She is home to all the facilities you would expect on a yacht of this calibre, including a sleek swimming pool with jet-stream technology and a cutting-edge chromotherapy spa with Hamman and treatment room which both integrate light therapy. 

Her main deck plays host to the expansive owners’ suite, which enjoys his and hers en suites with adjoining dressing rooms, a private lounge-cum-office and a private deck area with dip pool and intimate seating areas. 

While chartering her, guests can make use out of a fully-stocked wine cellar and an elevator with the capacity for nine.

Inside superyacht SOLANDGE

SOLANDGE features ornate interiors from Florida-based studio Rodriguez Interiors. A palatial theme is reflected in plush fabrics, a rich colour palette and a selection of semi-precious stones, including amethyst, honey onyx, gold leaf and rose quartz.

The design team behind SOLANDGE has also sourced plenty of glass fixtures from Murano, an island near Venice famed for its rich history of glass-making. 

Her opulent finish is evident in the main salon, which is flanked by two walls of LED backlit amethyst that imbue the room with a soft lilac glow.

An elaborate focal point, the walls have been created by slicing a piece of amethyst into tiny segments with diamond wire and gluing them to a glass sheet, before then being covered by a panel of Plexiglass studded with LED lights.

Another talking point aboard the charter yacht is the floating central staircase, which features a sculpted ‘Tree of Life’ statue ascending the full height of the yacht.

In total, 1,423 points of light illuminate the space with a warm glow. Themes of nature continue in the owner’s suite, where backlit mullions depict the Garden of Eden. 

In total, around 25 wood veneers have been used throughout luxury yacht SOLANDGE. On the lower decks, where there is typically less light, the yacht features darker, ebony finishes; higher up, lighter blondewood and caramel finishes are more prevalent.

This delicate mix of traditional opulence and contemporary punches of colour and texture lend SOLANDGE an atmosphere quite unlike any yacht.

A motor yacht of her calibre makes the perfect backdrop for Succession, and it’s hoped we’ll see SOLANDGE return to reprise her role as the Roy family’s luxury yacht in season 3.

If you’d like to learn more about chartering M/Y SOLANDGE, please get in touch with your preferred yacht charter broker .

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85m Lurssen 2013 / 2022

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Den of Geek

Succession Season 2 Episode 10 Review: This Is Not For Tears

Of course it was going to end this way!

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This Succession review contains spoilers.

Succession Season 2, Episode 10

At the end of last week’s “DC,” two things happened that should have immediately clued audiences to what was going to happen in Succession ’s season two finale, “This Is Not For Tears.” First, Kendall Roy (Jeremy Strong) delivered a fiery defense of his father Logan (Brian Cox) and the Waystar Royco brand during his congressional testimony regarding the company’s problematic cruise line and the sexual harassment allegations against its head.

And second? Moments before the closing credits began, Logan told his daughter Shiv (Sarah Snook) that someone from their inner circle had to be sacrificed to the media, the government and their shareholders to finally fix the cruise mess. Not just anyone, though, but a “blood sacrifice.” In other words, one of the series’ preeminent Roy kids — Kendall, Shiv or Roman (Kieran Culkin) — was going to bite the proverbial bullet by the time this season came to a close.

read more: Kendall Roy Proves He Was a Killer All Along

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Of course, it was going to be Kendall. It was always going to be Kendall.

Then again, for all the effort series creator Jesse Armstrong and the Succession writers put into laying the groundwork for Logan’s inevitable decision regarding his own son, they’ve also been planting an entirely different set of crops alongside these initial seeds. Much of the show’s first season was just as much about who Logan was going to pick to succeed him as it was about Kendall’s efforts to oust his father in a hostile takeover.

And though the vehicular manslaughter he caused at the end of season one, and Logan’s engineered coverup of it in the second season premiere ultimately tanked these efforts, Kendall never really could have forgotten what his original intentions were. Sure, much of this season has been about portraying Kendall’s transformation into a soulless shell of a human being who is more than willing to do anything his father tells him . But does this mindless devotion extend to self-flagellation on such a massive scale? Yes and no.

Logan and the aforementioned Roy kids, along with eldest son Connor (Alan Ruck), cousin Greg (Nicholas Braun), Shiv’s cuckold husband Tom (Matthew Macfadyen) and the rest of the Waystar Royco legal and public relations teams meet off-and-on aboard the family’s massive yacht in the Mediterranean to discuss options. Many, including the always-willing-to-speak Roman, think Greg and Tom — who actually did try to cover up the cruise scandal (under orders, of course) and totally botched their respective congressional testimonies — should take the hit. It’s “half an idea” per Logan’s estimation, but he and almost everyone else there know it’s not enough. Especially Shiv, who goes to her father amid a brewing personal crisis with Tom to make sure he knows this.

read more: Succession Season 2 Episode 9 Review

“Why not what he discussed?” she reminds him. “Ken hurts,” her father admits in turn. “He was across the whole thing. It hurts. It plays, obviously.”

So, when Logan finally tells Kendall — albeit in a roundabout way, at first — of his decision to lay the blame on him, it actually does seem to hurt the otherwise emotionally distant Roy patriarch. The camera even goes in and out of focus on occasion, becoming blurry and clear again, almost as if a tear or two are breaking the episode title’s explicit rule against mournful emotions.

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“It’s okay dad,” Kendall tells his father once he realizes what’s happening. “It’s okay.”

“Thank you, son,” Logan responds. “The hearings, you did so well. But now you’re the face. You were across the cleanup. The optics make sense. And, what’s more, I trust you. I trust you in case it turns and gets nasty.”

Like with the dissolution of the digital media company Vaulter in this season’s second episode, along with plenty of other examples, Kendall immediately agrees with his father’s decision and goes along with it, though he does ask him if he ever thought he could do it. If he ever thought he was good enough to succeed him and lead Waystar Royco into the future. “You’re not a killer,” Logan tells him. And that’s the moment when those who have been paying complete attention to Kendall’s scheming, its implosion and his continuously downward spiral should have known what would happen in the episode’s final moments. Yes, he goes before the press to supposedly admit his wrongdoing regarding the cruise scandal. After all, is father is watching. Instead, Kendall plunges the dagger meant for himself into Logan, Waystar Royco and pretty much everyone else we could consider his flesh and blood.

read more: Succession Season 3 Confirmed

“I have been asked to explain my own role in the managing of illegality at the firm and associated coverups, and it has been suggested I would be a suitable figure to absorb the anger and concern,” he begins before going off-script. “But the truth is, my father is a malignant presence, a bully and a liar. He was fully personally aware of these events for many years and made efforts to hide and cover-up. He had a twisted sense of loyalty to bad actors like Lester McClintock.”

“This is the day his reign ends,” Kendall concludes as the room erupts in a flurry of shouted questions from the gathered press.

Cue Succession ’s Emmy Award-winning theme music and an amazingly calm Logan, watching the press conference aboard his yacht with a bewildered Shiv and Roman. They cannot believe what they’re watching, but according to the slow smile spreading across Logan’s face, it’s not all that fanciful. It turns out, he was completely wrong about Kendall. He is a killer.

Succession airs on HBO.

Andrew Husband

Andrew Husband is an entertainment and culture writer based in Boston, where he lives with Cosmo's real-world counterpart, Molly the Labrador. When he's not too busy…

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A Succession Finale Theory, Examined: Was There a Secret Pact All Along?

Dave nemetz, west coast bureau chief.

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Warning: This post contains spoilers for Sunday’s Succession finale.

Succession wrapped up its sophomore season last night… but fans are still busy unpacking that shocker of an ending.

To recap : Logan needed a “blood sacrifice” from his inner circle to appease shareholders, and after considering Tom and Greg too insignificant, informed his son Kendall that he’d be the one taking the fall. Kendall meekly agreed, and when he asked his dad if he ever thought Kendall had what it takes to be CEO, Logan replied: “You’re not a killer. You need to be a killer.” But maybe he is: At the news conference where he was supposed to fall on the company sword, Kendall instead flipped on his father and called him “a malignant presence, a bully and a liar,” adding that Logan had full knowledge of Waystar’s wrongdoing. That sets up one hell of a Season 3, huh?

But to my eyes, it doesn’t really stand up to scrutiny.

If Logan really wanted out — and from everything we’ve seen from him, he’d rather die in his office than hand over Waystar to his kids — why wouldn’t he just resign to appease the shareholders and not have his name dragged through the mud by his own son? (His entire worry was someone would “flip” and reveal Waystar’s dirty secrets. Now someone is.) Also, we’ve known Logan to be an impulsive, vindicative business titan; this kind of slick, five-steps-ahead corporate espionage isn’t really his style. Plus, Succession has never been the kind of show that traffics in surprise reveals and secret pacts; its big plot developments all feel inevitable in hindsight, like the stuff of Greek tragedy, because it doesn’t pull any tricks on the audience. (The final Logan/Kendall scene doesn’t make any logical sense, for example, if they’re actually in cahoots.) And look, the smile wasn’t even that big!

But the idea that Logan actually wanted all of this to happen, and is masterfully orchestrating his own downfall? My only reply to that is Logan’s favorite way to end a conversation: “F–k off.”

What do you think? Vote in the poll below, and hit the comments with your post-finale thoughts. 

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100% agree. Kendall realized he had nothing more to lose & heard what Logan said about needing to be a killer. Loved it!

Ken already knew it wasn’t going to be him – he told Shiv in the episode where he was contemplating suicide.

Unless he’s been playing everyone all season long, waiting for this to come together for him.

Everyone’s missed it it seems so far…in the final scene between Logan and Kendall, Kendall was ready to accept it, until Logan slipped and said the waiter Kendall killed was ‘no real person involved’ and to not worry about it. And repeated it, a ‘no rpi’ move on’ or something to that extent. That statement pushed Kendall over the edge, his guilt having been building all season, and realizing that his father had known all along about the issues in cruises and the ‘no rpi’s’ involved in all of that. There was no secret plan, Logan slipped up and it pushed Kendall off a cliff so to speak. Add to that, Kendall obviously has remained in contact with Stewie, how else would he have known Stewie was in Greece, and things start to line up. Kendall and Greg had a busy plane ride back to New York.

Yes! I thought the exact same thing. I think Logan’s whole no RPI thing coupled with him telling Kendall he didn’t have the killer instinct (or whatever) pushed him over the edge. My heart was actually pounding in the lead up to the ending, I was so happy to see Kendall turn on his dad. I dont think it was any kind of pact/plan. Logan is too cutthroat for that. He’s been grooming Kendall and the whole family to give him blind loyalty and I think he believed Kendall would be the sacrificial lamb with no questions asked.

I don’t think Logan and Kendall hatched the plan together, but I do think it’s possible that Logan intentionally laid the groundwork for Kendall to turn on him. Early in the episode we learn that the shareholders wanted Logan’s head. Logan pretty much knew he had to go if he wanted to keep the company. I personally think he chose Kendall because he was okay with either outcome – Kendall wimps out and takes the fall and just maybe that’s enough for shareholders not to jump ship or Kendall turns and by unseating Logan and promising real change at the company with his whistleblowing he poises himself as a palatable successor to shareholders and the worthy choice in Logan’s eye with that “killer” move. He knew what buttons to push to get him to that breaking point and did everything he could to keep him sober and focused (hence Naomi’s early exit) so he could make that choice.

I agree, I don’t think Logan thought Kendall would throw him under the bus. However, I’m starting to wonder if Logan hoped Kendall would throw Tom under the bus to save himself, that way Logan’s hands were clean (ie, he didn’t betray Shiv) and it would get rid of the guy who destroyed the documents anyway.

I think there’s another angle: Kendall and Shiv planned this. Remember what she told that whistle blower in the park (“can’t trust my dad, he screwed me over”), and check the nod she gives Kendall before he meets with Logan. I don’t think Logan is in on it — why would he want to go out with his reputation ruined? He’s too proud.

And how did Kendall know that Greg had the papers unless Tom – Shiv told him?

I think we’re all underestimating Gregg in this. His buffoonery being a smoke screen for a sharper mind. I think Gregg and Kendall have been in cahoots for a while (Kendall giving him the apartment for example). Kendall could see he had something and Greggs payback was to provide Kendall the info and amo at the right time.

I completely agree. I think Gregg and Kendall started a relationship mid season and Gregg truly empathized with Kendall, and knew that he ultimately was being used and abused by Tom and would be the fall guy. He went to Kendall with the truth and they played it out, Kendall made a plan, killed the last minute deal with his ex friend on purpose, in order for Logan to set him up for the fall. He played straight into it, going as far as saying he deserved it. This is Kendall finally getting a way to rewrite the story for the better without the evil oversight of his father.

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Everyone Is Obsessed with Shiv Roy’s Outfits from the Succession Finale

There are many things that will be missed now that HBO’s Succession has wrapped up its masterful second season: super-rich people telling each other to “fuck off,” the shenanigans of Tom and Cousin Greg(ory), Roman and Gerri’s interesting dynamic, Kendall’s sad eyes. But I’ll especially miss Shiv’s phenomenal fashion.

The only daughter in the Roy clan had a serious sartorial glow-up in season two, and the Internet loved every second—to the point that there will surely be an uptick in turtleneck and high-waist pants this fall. (See our ranking of her best outfits here .) Coupled with a perfect bob haircut and a renewed desire to get back into the family business, Shiv was all about power moves this season. And as the family took to their massive yacht in the finale, Shiv’s vacation outfits did not disappoint.

If you thought Shiv would abandon her signature style just because she was headed to warmer climates, you’d be very wrong. My personal favorite was the creamy white high-waist number that was such perfect “rich lady on a gazillion-dollar ship.” Or maybe the blue halter look.

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She also worked in some floral prints and a large sun hat. “Shiv Roy in boat clothes! #Succession,” one fan tweeted.

Social media was very much here for all of her outfits, really. “Shiv’s white outfit, I need it. #SuccessionHBO,” one person wrote. “Every outfit Shiv wears, I want it. I want the entire LOOK! Sarah is BAD!!!!!!! #SuccessionHBO,” another said. This tweet sums up the general sentiment: “Fuuuuuuck, the Succession finale was so good. Also I want every one of Shiv’s outfits in this episode, her styling was fantastic.”

Sidebar: Her character’s reading Sally Rooney’s Conversations with Friends was perfection too.

I cannot wait to see what the styling team brings for Shiv in season three with yet another shift in the family dynamics after that finale—but I’m fairly certain I’m going to love it.

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